The Mahabharata—literally, the story of greater India—is the other twin that has decorated Hinduism, along with the Ramayana, throughout millennia. In the Ramayana, the scene of war is across the ocean, far away from the kingdom of Rama. In the Mahabharata, the scene of war is at Hastinapur, in their kingdom. In both, the war is between the virtue and the vice, right and wrong, good and evil. Indeed, the Mahabharata is the story of the war within our own bosom. The Bhagavad Gita, which is the divine message of this grand epic, is the epitome of Hindu spiritual philosophy.
The Mahabharata is the most fascinating story of this grand legend, narrated by another great Hindu mind, Ved Vyasa, between 400 and 300 BCE. It is the world’s longest epic poem, consisting of one hundred thousand verses. “Vyasa” literally means “arranger.” It may, however, be possible that this is not the name of any one individual; rather, it may denote the position of a compiler. Historians and scholars have established that the Mahabharata was, in fact, written and compiled over many centuries, beginning from the first half of the first millennium BCE and reaching its completion toward the first century CE or even later. In the Ramayana, the story revolves around God, in the form of Lord Rama. In the Mahabharata, it is centered on another God, Lord Krishna.
The story of the Mahabharata begins with an ancient king of Hastinapur, who had two sons. The elder son, Dhritarastra, was blind, so he was barred from sitting on the throne after his father’s death. The younger son, Pandu, ruled for some time but died prematurely when all his five sons, collectively called Pandavas, were still young. In this situation, the old blind uncle Dhritarastra was asked to become the king temporarily until the Pandavas became eligible. In ancient Hindu scriptures, the language used by the great Rishis is often symbolic. Dhritarastra’s blindness, therefore, was not so much physical as it was mental. He could not discriminate between right and wrong. Once he became the ruler, his greed for power again flared up in his mind. He had one hundred sons, all called Kauravas, the eldest being Duryodhana. In the Mahabharata, the five Pandavas represent the virtues, while the hundred Kauravas represent the vices. When the Pandavas grew up, Duryodhana played a foul trick in order to usurp the kingdom. Yudhistra, the eldest of the Pandavas, was a man of unimpeachable truth, but he had a weakness for the game of dice. His absolute commitment to the virtues of truth and righteousness earned him the legendary status of Dharamraj, the prince of religion. Duryodhana, with the help of his cunning maternal uncle Shakuni, defeated Yudhistra by deception. Dhritarastra, the blind father, remained silent and gave his son tacit support for his immoral acts by not intervening; rather, he hoped that his son would become the king. How often a similar drama unfolds in our own lives when we see our own kith and kin do wrong, but we turn a blind Dhritarastra eye!
The main purpose of religion is to guide people on the just and virtuous path. The saga of Mahabharata deals with the crucial challenge of the war within one’s own self. The different characters of this great epic depict internal mental attitudes and mindsets, which chiefly dictate how humans behave and act in different situations.
Hindu philosophy states that human beings go through repeated birth cycles, with the next birth being assigned to a person on the basis of his/her past actions-karmas. Only as a human being, one is bestowed with mind to discern the right from the wrong, as also free will, to strive to change the natural born tendencies toward virtue and purity.
Dhritarastra is born with the vasna of greed, which he succumbs to and gives a tactic support to his son Duryodhana, who is not only greedy, but when unrestrained became haughty and sinful.
Yudhistra, eldest of the Pandva brothers, is born with utmost truth and honesty, but had the vasna of an evil habit of gambling; he ultimately lost not only all the wealth that he had, but also all his brothers and their common wife Draupadi, with dire consequences to face.
Pure and virtuous to the core, Draupadi initially looks for support in men and material. Only when she realizes how unreliable these sources are, she turns to the Divine, who immediately comes to her aid.
Arjuna had steadfast faith and devotion toward God, and he never faltered. With his mind utterly focused to God at all times, he was able to win, without any tribulation.
Through eons of birth cycles, one may gradually learn and grow; the saga of Mahabharata gives a clear insight of the inborn tendencies (vasna) in human beings, and how the virtuous become the ultimate winners.